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This monumental masterwork by the renowned nineteenth-century scientist and authority on color, M.E. Chevreul, is unquestionably one of the greatest books ever written on color; the first English translation is reprinted here with the original color restored.
| Publisher | Schiffer |
| Publication date | January 8, 1997 |
| Edition | Revised |
| Language | English |
| Print length | 192 pages |
| ISBN-10 | 0887400906 |
| ISBN-13 | 978-0887400902 |
| Item Weight | 3.65 pounds (1.66 kg) |
| Dimensions | 9.25 x 1.25 x 12.25 inches (23.5 x 3.2 x 31.1 cm) |
Students learning about color theory will benefit from practical insights into color harmony and application in artworks.
Designers looking to enhance their color palettes can gain valuable techniques for creating visually appealing compositions.
Professionals in interior design can use these principles to create balanced and inviting color schemes in spaces.
Individuals with no interest in art or design may find the content overly technical and not engaging.
The Principles of Harmony and Contrast of Colors: and Their Applications to the Arts
This book on color theory, "The Principles of Harmony and Contrast of Colors," has received mixed reviews from customers. Many customers express disappointment over the lack of color illustrations in the book, as the title may mislead readers to expect otherwise. The text is criticized for being overly verbose and difficult to follow, with some readers finding the writing style outdated and confusing. The absence of annotations and the use of old-fashioned language further hinder the readability of the book. On a positive note, the book is appreciated for its detailed information on colors and how they interact, offering a unique perspective compared to traditional art books. Some customers find it inspiring and engaging, prompting them to experiment with colors and expand their creativity. Overall, "The Principles of Harmony and Contrast of Colors" seems to be a mixed bag, with valuable content for those willing to delve deep into color theory but falling short in terms of readability and visual aids. **
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